Vertigo
Op Art and a History of Deception 1520-1970
“Among the pioneering art movements of the 1960s, Op Art and Kinetic Art have received the least attention to date. They were often downgraded as too spectacular and therefore superficial. Wrongly so, because Op Art and Kinetic Art sharpen our awareness of the ambivalence of reality. They literally demonstrate that perception is not objective, but dependent on parameters such as context and viewer – with all the epistemological consequences.”
Josef Albers, Marcel Duchamp, Matthias Grünewald, Adolf Luther, Giovanni Battista Piranesi, Bridget Riley, Victor Vasarely, and others.
Adolf Luther is represented in this exhibition with the installation Laser-Raum 1970, as well as with a large-format Curved Mirror Object.
Photo: Marina Apollonio Spazio Ad Attivazione Cinetica 6B, 1966-2015 Courtesy Photo: Lauren Glazer © Marina Apolloni